I create mixed-media drawings, prints, and sculptures that preserve familial and cultural history through plants and iconographies. My process is experimental, combining found objects and narrative anecdotes to talk about displacement and my experience as a first-generation immigrant from Colombia. I often use enredaderas (entangled vines) as an archetype to metaphysically reference the Colombian diaspora. The enredaderas exist in a rural, green landscape with mountains and bodies of water to represent home. I am curious about rooting/uprooting these archetypes from their homes, making a direct parallel to the complexities of the immigrant experience. Through my practice, I ask questions such as: Can the body exist without it being visible? Can it form a relationship with the land it is rooted to or uprooted from? Can it extend and reach the grounds from which they migrated?